Ramones 40th Anniversary Deluxe Edition
Currency:Disc One: Original AlbumStereo Version1. “Blitzkrieg Bop”2. “Beat On The Brat”3. “Judy Is A Punk”4.
“I Wanna Be Your Boyfriend”5. “Chain Saw”6.
“Now I Wanna Sniff Some Glue”7. “I Don’t Wanna Go Down To The Basement”8. “Havana Affair”10. “Listen To My Heart”11.
“53rd & 3rd”12. “Let’s Dance”13. “I Don’t Wanna Walk Around With You”14. “Today Your Love, Tomorrow The World”40th Anniversary Mono Mix15. “Blitzkrieg Bop”.16. “Beat On The Brat”.17.
“Judy Is A Punk”.18. “I Wanna Be Your Boyfriend”.19. “Chain Saw”.20. “Now I Wanna Sniff Some Glue”.21. “I Don’t Wanna Go Down To The Basement”.22. “Havana Affair”.24.
“Listen To My Heart”.25. “53rd & 3rd”.26. “Let’s Dance”.27. “I Don’t Wanna Walk Around With You”.28.
“Today Your Love, Tomorrow The World”.Disc Two: Single Mixes, Outtakes, and Demos1. “Blitzkrieg Bop” (Original Stereo Single Version)2.
“Blitzkrieg Bop” (Original Mono Single Version)3. “I Wanna Be Your Boyfriend” (Original Stereo Single Version)4. “I Wanna Be Your Boyfriend” (Original Mono Single Version)5. “Today Your Love, Tomorrow The World” (Original Uncensored Vocals).6.
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“I Don’t Care” (Demo)7. “53rd & 3rd” (Demo).8. “Loudmouth” (Demo).9. “Chain Saw” (Demo).10.
“You Never Should Have Opened That Door” (Demo)11. “I Wanna Be Your Boyfriend” (Demo).12. “I Can’t Be” (Demo)13. “Today Your Love, Tomorrow The World” (Demo).14.
“I Don’t Wanna Walk Around With You” (Demo).15. “Now I Wanna Sniff Some Glue” (Demo)16. “I Don’t Wanna Be Learned/I Don’t Wanna Be Tamed” (Demo)17. “You’re Gonna Kill That Girl” (Demo).18.
“What’s Your Name” (Demo)Disc Three: Live at The Roxy (8/12/76)Set One1. “Beat On The Brat”3.
“Blitzkrieg Bop”4. “I Remember You”5. “Glad To See You Go”6. “Chain Saw”7. “53rd & 3rd”8.
“I Wanna Be Your Boyfriend”9. “Havana Affair”10. “Listen To My Heart”11.
“California Sun”12. “Judy Is A Punk”13.
“I Don’t Wanna Walk Around With You”14. “Today Your Love, Tomorrow The World”15.
“Now I Wanna Sniff Some Glue”16. “Let’s Dance”Set Two17. “Beat On The Brat”.19.
“Blitzkrieg Bop”.20. “I Remember You”.21. “Glad To See You Go”.22. “Chain Saw”.23.
“53rd & 3rd”.24. “I Wanna Be Your Boyfriend”.25. “Havana Affair”.26.
“Listen To My Heart”.27. “California Sun”.28. “Judy Is A Punk”.29. “I Don’t Wanna Walk Around With You”.30.
“Today Your Love, Tomorrow The World”.31. “Now I Wanna Sniff Some Glue”.32. “Let’s Dance”.40th Anniversary Mono MixLP Track Listing1. “Blitzkrieg Bop”.2. “Beat On The Brat”.3. “Judy Is A Punk”.4.
“I Wanna Be Your Boyfriend”.5. “Chain Saw”.6. “Now I Wanna Sniff Some Glue”.7. “I Don’t Wanna Go Down To The Basement”.8. “Havana Affair”.10. “Listen To My Heart”.11. “53rd & 3rd”.12.
“Let’s Dance”.13. “I Don’t Wanna Walk Around With You”.14.
“Today Your Love, Tomorrow The World”. Previously Unreleased. Ha, thanks Paul. I’ve had a look and there are so many choices it’s difficult to know where to begin! They all look a bit “chintzy” in comparison to the players of old I remember when I first started listening to music as a youngster in the late 70’s, but that probably isn’t an actual sign of quality these days.
All the clear lid closures just seem so cheap and flimsy, I guess I need to start reading some reviews and figuring out the price point I need to hit to get a decent but not too high end player for my needs. Any suggestions for decent entry-to-mid level model players would be appreciated. It will happen eventually.;).
Yes, thanks for the heads up on this, just in case the price increases. Such an iconic album, I always wanted to own the vinyl (even though I don’t have a record player) just so I could slap it in a frame and stare at it in my music room. I’ll eventually get around to picking up a player, so understand people’s frustrations with having to buy vinyl to get the CD releases as I’m usually in that boat, and now have a stack of “vinyl only” releases, just so I could get the digital download code. The increasing stack is definitely leading me into the eventual purchase of a player, if only for the nostalgia of the experience of spinning an LP and blowing my 6-year-0ld’s mind, ha-ha.
I think the mono mix will sound great as I was never a big fan of instrument separation (though it did come in handy for this release when I was first learning to play bass). Such an amazing album, if I get around to picking up the record player I may even need to add the stereo version to my LP stack.:). A must buy for me. (If a third purchase of the same record can really be considered essential – and I say it can.) Love that first album. The mono version should be great; that was the way they wanted to release it originally. The label stepped on that.
I imagine it’ll be even more powerful, if that is possible. I don’t think we’re talking a potential abomination like Iggy’s Raw Power remix here.BTW, anybody who loves da brudders should deffo catch Shonen Knife (the Osaka Ramones!) when they come to their town.
A shame they’ve just been through the UK, rendering my plug a little more pointless than it needed to be, but seriously I saw the Ramones live a coupla times in the ’80’s and the Knife pull off that roar/rumble with super-catchy songs thing perfectly and are even more fun live. They don’t hate each other for one thing. South Perth SpursBrand new dedicated mono mix, no fold-downThe story is this: At the time, the Ramones had wanted to make both a Stereo & a Mono mix but this was considered impractical. However Craig Leon (producer) had made extensive notes for a mono mix and although the idea was shelved at the time, 40 years later it’s now possible for him to do on account of the detail of his original notes.Another commenter posted something like “Awesome. There’s no better way to make money than create inferior-sounding mono versions!” which is a typically childish thing to say on forums such as this.The truth is the better mix is the better mix, regardless of whether its stereo or mono. In the case of the ’60s, mono tended to be better because it was an established format & thus engineers knew how to master in mono.
Stereo was too new to be much good, both in terms of engineer expertise & also end-user equipment (teenagers didn’t have stereos then).The “Ramones” mono mix is a different story though since it’s from the stereo era but I believe it is likely to capture the original musical intent far better than the stereo mix simply because Punk generally was not a “stereo music”.There were some demos from the mid-seventies that did come out in mono so there is evidence of their existence at the time. Look on youtube for the mono cut of Blitzkrieg Bop. It’s definitely got more of a pounding quality that, like I said earlier, seems more appropriate to the music. To be fair, Matt, it’s something that is discussed regularly on SDE.
Ramones Road To Ruin 40th Anniversary Deluxe Edition
When the same thing was brought up on the Fleetwood Mac “Mirage” post it seemed everyone was in agreement that it’s a frustrating practice. Opinion seems to jump from post to post. I’m not saying something that hasn’t been said before. I would love to get this but the vinyl is just dressing for me. I’m sure there are vinyl buyers who think the same about the CDs. If they separated the formats I’m sure they would sell a hell of a lot more.
This is the album that should have broken The Ramones. Even now it’s baffling that the mainstream didn’t accept the band earlier. Compare the first Ramones album to Green Day’s Dookie (the album that finally thrust punk down the US mainstream’s throat in 1994) and frankly it’s staggering to see how little was added to the Ramones blueprint across 18 subsequent years of tail-chasing Maximum Rock ’N’ Roll stasis. Joey, Johnny, Tommy and Dee Dee not only defined, but also fine-tuned the shape of things to come. Check out Ramones’ Blitzkrieg Bop opener, and all of Dookie’s fundamentals, from chainsaw riffing to adenoidal vocals, are already in place. Across the 20 months between the release of Ramones and their third, Rocket To Russia, collection the band had changed nothing but honed everything.
Ramones 40th Anniversary Deluxe Edition Flac
Tommy’s production was now as regimented as Johnny’s riffing, label Sire, sensing the potential imminence of a hitherto unlikely hit, invested a grander budget, and in compositional terms the band were getting better.From Rockaway Beach’s genius opening couplet ‘ Chewing out a rhythm on my bubble gum, the sun is out and I want some’, Rocket To Russia sounded like a hit record. That said, six months earlier it would have sounded even more like one. Its lead single Sheena Is A Punk Rocker had been around since May. Waiting until November to release the album meant it went head-to-head with Never Mind The Bollocks Here’s The Sex Pistols, and in comparison to the Pistols’ raging delinquent fury the Ramones’ 1950s-based pop classicism suddenly sounded positively archaic. So the album missed its moment, died on its arse and in the UK peaked at No.60.But the Ramones had a secret weapon, one with which the Pistols couldn’t compete: they were an astonishing live band who could casually knock out 45 songs in an hour and a half. And reliable?
So while there are 77 tracks on this 40th Anniversary edition, the demos, alternative takes and rough cuts all sound pretty much identical to their finished counterparts. The contemporary Glasgow Apollo live set, meanwhile, is a dead spit of the exemplary It’s Alive (recorded at London’s Rainbow 12 days later). By 1978’s Road To Ruin, Tommy had gone and the spell was broken, but these Ramones, captured here, remain entirely essential.